(🌠)　2018年(nián )5月(yuè )和(📒)6月(yuè )(🐌)，Jean Gabriel P_Riot与(yǔ )位于Ivry Sur Seine的一所高中的(de )10名电影班学(🔸)生合作，开展了(🕖)一项(xiàng )将电影与政治结合(hé )起来(🐖)的项(xiàng )目(📞)。学(🎫)生们(🗑)在摄像机前和摄像机(jī )后工作(🤯)，重(chóng )新布置罢工、抵抗和劳资纠纷(fēn )的场景，这(zhè )些电影可以追溯到20世纪60年代末到70年(🤸)代(dài )末，包括(🙀)让-卢克(🎾)-戈(gē )达尔(ěr )和(🥫)阿兰-坦纳的电影(yǐng )。nos d_faites汇集了调(🌮)查结(jié )果，并增(zēng )(💝)加了采访，在采访中(🚗)，导演(yǎn )询问(wèn )学(xué )生(shēng )他们(⛏)刚(gāng )刚表演的场景，关于“阶(🐩)级”、“工(gōng )会”和(🐡)“政治(📧)参与”等概念，以及更广(🔷)泛的社会背景。这(zhè )(🔞)是一(🚲)个简(🔎)单(dān )(🌂)，但尖(jiān )(👄)锐的(de )设置(🔫)，让(ràng )观众一(📞)瞥年(nián )轻(🚽)一代如何(👛)看待政治和过(🚻)去(qù )的政治电影。这(zhè )(🧘)部影片还记录了导演试图激怒学(xué )生(❄)的企图。在导演和学生(shēng )似乎(hū )处(💕)于平(píng )等地位(🖱)的遭遇中，基于从(💨)未见过的导演(yǎn )更多(duō )类似于(♊)老师的(de )提(tí )问，以及(🌒)此时此刻对革命的思(🏗)考：起(qǐ )义的(♟)表现反(🏁)映(yìng )了同(tóng )样(yàng )的(de )(🍗)情况。这会导致一个(🐼)真实的发生吗？
　(🦄)　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　回(🕰)到1968年的(de )电影(⤵)时代(dài )，继续(xù )对重放从(cóng )过去(🚚)跳出来的电影(yǐng )节选(💮)的年轻(qīng )人(rén )进行今天(tiān )的采(😠)访，我们的(😶)失(shī )败描绘(huì )了(le )我们当(🤱)前与政治(zhì )(🚻)的(de )关系。我们(men )的失败(📁)，还是我们有足(zú )够(📐)的力(📆)量来面对今天的混乱？(🏺)
　(🔊)　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?