让-加布瑞·贝里奥导演执导的《我们的失败》，2019年上映至今获得了不错的口碑，由Swann Agha,Natasha Andraos,Ghaïs Bertout-Ourabah,Jackson Ellis,Julie Escobedo,Rosalie Magnan,Alaa Mansour,Marine Rouie,Floricia Yamondo,Martin Zellner等主演的一部不错的其他。

我们的失败剧情：

　　2018年5月和6月，Jean Gabriel P_Riot与(yǔ )位(🛤)于Ivry Sur Seine的一所(🌗)高中的(de )10名电影班学生合作(🤷)，开展了一项将(jiāng )电(💆)影(yǐng )与政治结(🚉)合(hé )(🏐)起来的项目。学(🎫)生们在摄像机(🙁)前(qián )和摄像机(jī )(🐶)后(🥀)工作，重新布(bù )置罢工(gōng )、抵抗和劳(láo )资纠纷的场景(jǐng )(⏯)，这些电影可(kě )以(yǐ )追溯到(㊗)20世纪60年(🔝)代末到70年代(dài )末，包括让-卢克-戈达尔和(🥫)阿(ā )兰(👃)-坦纳(🚻)的电(🕙)影。nos d_faites汇集(jí )了调(🌮)查(👣)结果(🤘)，并增加(jiā )(💹)了采访(fǎng )，在采访中，导演询问学(🏻)生(shēng )他们刚刚(👪)表演的场景，关于“阶(🐩)级”、“工(gōng )会”和“政(zhèng )治参(cān )与”等概(📛)念(🔤)，以及更(gèng )广泛的(de )社会(huì )背景(jǐng )。这(🔞)是(🏴)一个简单，但(🌱)尖锐(ruì )的设(shè )置，让(🔥)观众一(📞)瞥年轻一代如(rú )何看(🕕)待政治和过去的政(zhèng )治电(🛃)影。这部(bù )影片还记录了导演(yǎn )试图激(🍹)怒(nù )学生的企图。在(zài )导演和学生似乎处于平等(🐌)地(dì )位的遭遇中(zhōng )，基(jī )于(✒)从未见过的导演(🕵)更(🎞)多类似于老(lǎo )师的提问(wèn )，以及此时此刻对(duì )革命(mìng )的思(sī )考：起义的表(🔝)现反映了同样(yàng )(⏭)的情况(🤠)。这会导(dǎo )致一个真(zhēn )实(⛱)的发(🖥)生(📸)吗(ma )？(🌽)
　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?
　　回到(dào )1968年的电影(⤵)时(🆚)代，继续对重放(➗)从过去(qù )(🚚)跳出(chū )来的电影(👙)节选(xuǎn )(💮)的年轻(🏴)人进(🍞)行今天(tiān )的(de )采访，我们(🈳)的(de )失(shī )败(📐)描绘了我们当前(🚳)与政(🤞)治的关系。我们(men )的失败，还是(shì )我(wǒ )们有足够(gòu )的力(lì )量来面对今天的(de )混乱？
　(🔊)　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?

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